If you're interested in booking Will King, please email
wbradking [at] hotmail.com

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Upcoming Events
Please call to confirm all dates and times.
Stayed informed about news and gigs by emailing
us at
wbradking [at] hotmail dot com.

 

Date Time Event
7/18/08 8 PM Coffee Labs Roasters
7 Main Street
Tarrytown, NY
2 Sets
914.332.1479
7/26/08 8 PM Borders

162 East Main Street
Mt. Kisco, New York
914.241.8387

2 sets

8/23/08 8 PM Coffee Labs Roasters
7 Main Street
Tarrytown, NY
2 Sets
914.332.1479
8/30/08 8 PM Borders

162 East Main Street
Mt. Kisco, New York
914.241.8387

2 sets


Photo below: Following his opening slot for Richie Havens - Will King with Rita J. King
and Richie Havens.



Past gigs:

6/28
Borders
Mt. Kisco, NY
[Nice new room-thanks for the support Laura and Brianne]

6/20

Borders
Hyannis, MA
[Thanks for the support Kevin and JD-WK]


6/13

Blaggards Pub
8 W 38th St [between 5th and 6th]
New York, NY 10018
Phone: (212) 382-2611

[Thanks for the support - RIP - Tim Russert - WK]

5/17/08

Coffee Labs Roasters
7 Main Street
Tarrytown, NY
[Another great night-
nice to meet new people-WK]

5/13/08

White Plains, NY
Journal News Sponsored
"The Listening Room" 
[Great time, great crew-thanks Matt-WK]

 

4/20/o8

The Bitter End
147 Bleecker Street
NYC, NY
[Great night -thanks to all of you who came out,
and to Larry-WK]

4/18/08

Coffee Labs Roasters
7 Main Street
Tarrytown, NY
[Another great night-WK]


Friday April 11th 2008
Featured guest - Night Rhythms
on 100.7 WHUD
with host
Catherine Michaels 
[WK -Many thanks to Catherine for asking
insightful questions and supporting independant music]


Sunday March 2nd 2008
The Bitter End
147 Bleecker Street
NYC, NY
Singer/Songwriters Circle
[WK - great experience - a pleasure to perform. Thanks Larry,
and thanks to all who came in support]

Sunday January 13th 2008
Towne Crier Cafe, Pawling , NY
Open Mic Winter Invatational
[WK: Great day of music...a real pleasure to perform...
thanks to Phil and Fred for putting it on!]

Saturday January 5th, 2008
Coffee Labs Roasters
7 Main Street
Tarrytown, NY
8-10 PM ~ 2 Sets
[WK: Great place for the first gig of the year...]

Saturday November 17th, 2007
Coffee Labs Roasters
7 Main Street

Tarrytown, NY
8-10 PM ~ 2 Sets
[WK: Good times...thanks for the support!]


Wednesday, October 24th, 2007
United Nations Event
NYC 
[WK: Another great experience working with the
Rosa and Raymond Parks Institute for Self Development!]

Sunday October 21st, 2007

Live Performance on WXCI 91.7 FM
Noon to 3 PM
with DJ Kendall
Western Connecticut State University
listen
online  
Call in: 203-837-9924
[WK: Thanks to DJ Kendall for a great interview -
lots of playing on air!]


Saturday October 20th, 2007
Coffee Labs Roasters
7 Main Street
Tarrytown, NY
8-10 PM ~ 2 Sets
[WK: Another great show -
thanks for all the support!]

Saturday September 8th, 2007
Coffee Labs Roasters
7 Main Street
Tarrytown, NY
8-10 PM ~ 2 Sets
[Enjoyable experience - great atmosphere-WK]  

Saturday August 18th, 2007
Rock the Weeds
Danbury, Ct.
[Fun day-great weather-nice beach-
RJ's live debut-Fun Jamming with Jamie-WK]


Friday August 3rd, 2007
Rosa Parks Institute: Pathways to Freedom Concert
Detriot , Michigan
[Support this program! Great time playing.
Loved visiting Muskegon!-WK
]

Sunday, June 3rd, 2007
Rock on for Rights
FDR PARK, NY
Opened for Richie Havens
[A great cause, great show and
memorable experiences-WK
]

 

 

Reviews

King comes in with a message for you

By Chuck Waters


A while back, I got a lead on an artist named Will King. I was invited to
check out his new CD, "Come on in from the Cold." It was posted on a local
website.

Cool title in the blistering dog days of summer. So, I did.

What I found was an almost hypnotic blend of music. Like a slowly unfolding
daydream. Hard to pigeonhole. If you took Cat Stevens, Leonard Cohen, Bob Dylan
and Michael Hedges, Leo Kottke and John Fahey, and crafted a jigsaw, you'd be
close.

I admit being unfamiliar with Will, but he has pedigree. Co-founder of the
group Melange, which mixed jazz and blues with psychedelic rock, King opted out
in the late 1990s and decided on a solo career. Something of a later bloomer
(he says he didn't learn how to play guitar until he was 19), King has an
appreciation of eastern music and favors a six string T. Haruo acoustic guitar. The
tone and fullness of sound is extraordinary. You'd think he was double
tracking and overdubbing all over the place. He isn't. The stunning instrumental,
"One Thousand Birds," was done in one take.

The press kit describes "Come on in from the Cold" as something of a concept
album, but King says it deals more with the cycles of life. "There are many
different characters on this album and they all seem to be searching for
something or somebody. I  see songs like short stories. Often, I simply act as a
conduit. If there is a message, it is to be true to yourself regardless of the
consequences. And as we all know, there are consequences in this life."

King doesn’t preach, but he does encourage one to think. He is quite specific
when it comes to what he wants to convey on his album. " ‘Kyoto’ is taking a
hard line against horrible environmental practices, and ‘Venetian Blind’
tells the story of an old man who can’t let go while ‘I.O.U.’ condemns those who
abuse power for personal gain," he says.

Guests include John Cohen of the New Lost City Ramblers on mandolin on the
title track, and John Ventimiglia (Artie Bracco on "The Sopranos") who has a
spoken narrative on "28 Days." Supporting musicians include Doug Yowell  (Suzanne
Vega) on drums, Saul Zonana (Ace Frehley of Kiss) on bass and the
breathlessly beautiful backing vox of King’s wife, RJ.

Will views life as a continuum and approaches his music that way.  "Birth and
death are bookends. We all unfold in different ways and at different times.
If one of these songs resonates with a listener and allows him or her to look a
bit differently at life then I’m grateful."

There’s a lot to kick around here. At 35, King sees himself as just starting
to come into his own. When asked whether he considers himself more a
singer/songwriter or a guitarist, he had to smile.

"I began playing guitar late, at the age of 19 while attending college. At
the time, most of my friends played guitar and I quickly realized that if I
wanted to be active, I needed to learn. With the help of a few friends, I learned
some chords and practiced like crazy, sometimes five or six hours a day. By 21
I was writing my own music. As I’ve gotten older, I do feel more like a
singer-songwriter because I really enjoy encapsulating a story within music. But I
also like to leave words behind and go deep musically; so my recordings and
gigs, I think, show my varied approaches and interests."

King likes the richness of the open tunings his T. Hauro guitar allows. "I
simply love the fullness and also, I often feel in uncharted territory which is
refreshing. I find my songwriting is at times more liberated in this format.
It allows me to connect with a middle-eastern vibe which I really enjoy
pursuing."

King is well versed in the classics. "I grew up listening to classic rock
preferring San Francisco [Bay Area] and British rock. For awhile it was heavy
doses of the Grateful Dead and Led Zeppelin. Then, of course, you need more. I
began listening to more acoustic singer songwriters like Cat Stevens, George
Harrison, Tom Waits, Bob Marley, Leonard Cohen and just so many others. Miles
Davis had a big impact on me as well."

But he wasn’t listening just for fun.

"From some artists you learn about chord progression and melody while others
teach you about lyrics and phrasings, some do both with ease. The Beatles are
a standard from which most, if not all, contemporary American music is based.
They were influenced by Dylan; Dylan was influenced by them and I along with
scores of others have been influenced by their collective legacy. However,
since everything builds upon itself, we are all feeding off guys like [blues
legend] Robert Johnson and Mozart."

That’s pretty heady company. But King’s CD player will find everything from
rock to glam to funk. "I find myself gravitating to bands and songwriters
somewhat off the beaten path and it changes all the time. M. Ward I like; Ryan
Adams and his incarnations are intriguing; anything with Lucinda Williams is
always a bonus. If it has depth and soul, I generally like it. In our house, it
can go from Nine Inch Nails to Polyphonic Spree to Ravi Shankar or War."

King shared a moment that was keen for him, opening for folk legend Richie
Havens. Anyone who has seem the film "Woodstock" can immediately recall Havens’
sweat-soaked rendition of "Freedom," bringing the arriving audience to a
frenzy as the stage was literally being built around him. "He continues to inspire
me. His voice is something else, getting better with age. I’ve learned a few
things from his approach. "

Ensconced in his native New York, King looks down the road and sees nothing
but horizon. "I just returned from doing a gig in Muskegon, Michigan. I was
asked to perform a song I wrote after the release of my album called ‘Edmund
Pettus Bridge How Long, Not Long.’ The song tells the story of ‘Bloody Sunday’
and the passage of the Voting Rights Act of 1965."

And there is more to the story. King continues: "I accompanied my wife on a
trip this past April which was basically a Civil Rights quest. We, along with a
representative from the Rosa and Raymond Parks Institute for Self
Development, visited historic sites throughout the region [Georgia, Alabama, etc.]. When
we arrived in Selma, Ala., I was struck by what I learned and experienced. A
song began percolating.  In May, I went in to the studio with drummer Aaron
Comess (Spin Doctors) to record the tune, which has taken on a life of its own.
In October, I will perform the song at the United Nations in conjunction with a
Rosa Parks event. "

That’s music with a message. King is looking forward to upcoming concert
dates in New York State and Connecticut, and is considering a concert tour in
Europe.

"Come on in from the Cold" is not a CD to simply pop in the player and let
go. You need to spend some time with it, let it permeate, appreciate its
intricacies and the message behind the music. It is one of the more intellectual
offerings I have heard in quite some time. Check it out at
www.willkingmusic.com.

With any luck, he’ll be heading our way soon.




The Poughkeepsie Journal
08/03/07

Singer's work infused with civil rights themes

by John W. Barry

 

While attending the State University of New York at New Paltz years ago, I piled into a car with friends and strangers and headed to Madison Square Garden for a concert.

 

 

One of those in the car was Will King, and for the life of me, I can't remember if he was a friend or stranger. I got separated from everyone and got my bearings back at a fast food restaurant near The Garden. Out of the roughly 20,000 people leaving The Garden and millions in New York City, I bumped into King in the restaurant line.

 

 

I was reminded of that night in March, when I bumped into King in the lobby of the Paramount Center for the Arts in Peekskill during a concert. I knew King was a musician and had become a writer, but was impressed to hear that he was releasing a CD.

 

 

He sent me a copy of "Come on in from the Cold" and we spoke recently on the phone. The CD offers something new, fresh and different. There are no cliches and it is heavy on atmosphere. My analogy - Eddie Vedder sings Woody Guthrie.

 

 

His fondest memories of those days include learning the Band song "The Shape I'm In" from Danko and hearing Richie Havens talk about Jimmy Page and Jimi Hendrix.

 

 

In addition to offering some fresh music with an edge, "Come on in from the Cold" features appearances by Grammy-nominated musician John Cohen from The New Lost City Ramblers; John Ventimiglia, who played Artie on "The Sopranos"; drummer Doug Yowell, who has played with Suzanne Vega; bassist Saul Zonana, who has played with Ace Frehley of Kiss; and King's wife, Rita, who is a vocalist, grew up playing the saxophone and is currently writing a memoir, research for which recently brought her and King to the Edmund Pettus Bridge in Selma, Ala., a civil rights landmark.

 

 

 

Tonight, King will perform "Edmund Pettus Bridge" at a Rosa and Raymond Parks Institute event in Detroit. The performance will mark the return of a group of Michigan high school students, who took a trip to the South to learn about African-American history and the civil rights movement.

 

 

As King plays in Detroit tonight, I'll simply wait for the next time the two of us bump into each other.

 



More reviews are coming, stay tuned...